Showing posts with label and. Show all posts
Showing posts with label and. Show all posts

Tuesday, November 18, 2014

Function of IC LM35 and How It Works

Do you looking for the function of IC LM35 ? The works of IC LM 35 typically serves as a temperature sensor. IC LM 35 is packaged in the form of integrate circuit which prisoners rates is a function of temperature, the temperature will cause a change of IC LM 35.

Heat energy from the electrodes will cause the IC LM 35 temperature changes that subsequently alter rates prisoners, the characteristics of this sensor is linear to temperature changes means that, if the temperature changes that tend to increase the temperature of the IC will also rise, as well as if the temperature falls.

Images and physical shape of IC LM35
The voltage output from these sensors is ± 10 mu/0C every 10C temperature rise and the largest range of temperatures - 550C to 1150C.
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Thursday, November 13, 2014

Burglar Alarm Using LDR and BC 548

Description               Circuit showing a Burglar Alarm.Here we have used a ldr and a switching transistor for making this circuit
.When the light coming towards the ldr during the period the ldr have low resistance so the buzzer will on.When the light going away the ldr during the period the ldr have high resistance so the transistor will off.Here you need a 12 volt power supply

 Components Required      Resistor

                   10 k(preset)

      Transistor
                   BC 548

       LDR
        Buzzer

Source by : http://www.electronics-circuits.in/2012/03/burglar-alarm-ldr-bc-548.html
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Thursday, October 30, 2014

BD139 40 High Power Headphone Amplifier Diagram Circuit

Firstly, Id like to stress that the intended use of this circuit is only one of many possible applications. Apart from the obvious usage as a headphone amplifier, the circuit can be used for a range of applications where a wide bandwidth low power amplifier is needed. Some of the options include ...
  • Reverb drive amplifier - ideal for low and medium impedance reverb tanks
  • High current line driver - suitable for very long balanced lines
  • Low power speaker amplifier - better performance than small integrated amps
  • ... and of course, a headphone amp.
In short, the amp can be used anywhere that you need an opamp with more output current than normally available. Since most are rated for around ±20-50mA, general purpose opamps are not suitable for driving long cables or anywhere else that a relatively high output current is needed.

As a headphone amplifier, this design is very similar to others on the ESP site, but the main difference is that this one (and P70) has been built and fully tested. The design is fairly standard, and every variation was checked out before arriving at the final circuit. A photo of the prototype is shown below, and at only 64 x 38mm (2.5 x 1.5 inches) it is very small - naturally, the heatsink is not included in the dimensions.

The amplifier is capable of delivering around 1.5W into 8 ohm headphones, and 2.2W into 32 ohms - this is vastly more than will ever be needed in practice. The use of a 120 Ohm output resistor is recommended, as this is supposed to be the standard source impedance for headphones. Unfortunately, many users have found that their phones perform better when driven from a low impedance source.

HighPrototype Headphone Amplifier

The circuit is based on an opamp, with its output current boosted by a pair of transistors. Distortion is well below my measurement threshold at all levels below clipping into any impedance. Noise is virtually non-existent - even with a compression driver held to my ear, I could barely hear any, and I couldnt hear any with headphones.

WARNING
Headphones are rated in dB SPL at 1mW, and this amplifier (like many other similar headphone amps) is capable of producing extreme SPLs. The levels obtainable are sufficient to cause almost instantaneous permanent hearing damage! Never operate the amp at very high levels, and never switch the amplifier on with signal while wearing you headphones.

Always start with the volume control at minimum, and gradually increase the level until it is comfortable, but not too loud. Because of the very low distortion, it is easy to increase the level too far without noticing. Your ears are precious - safeguard them at all times.

Note the warning above - this is serious. Most headphones are capable of at least 94dB SPL at 1 mW, with some as high as 107dB SPL. Even 10mW is enough to create sound levels capable of causing hearing damage, so you must be very careful to avoid damaging levels.

Table 1 - Maximum Exposure to SPL
Note that the exposure time is for any 24 hour period, and is halved for each 3dB SPL above 85dB. The above shows the accepted standards for recommended permissible exposure time for continuous time weighted average noise, according to NIOSH (National Institute for Occupational Safety and Health) and CDC (Centers for Disease Control). Although these standards are US based, they apply pretty much equally in most countries - hearing loss does not respect national boundaries.

Description

The amplifier itself is fairly conventional, and is very similar to another shown on this site (see Project 24). This amplifier does not include the active volume control, because in general it is far easier to get a good log pot (or simply fake the pots law as described in Project 01). Likewise, it does not include the cross-feed described in Project 109. If this is desired, it is very easy to implement on a small piece of tag board, or even sky hook the few components off the bypass switch. Full details of how to do this will be included in the construction guide when PCBs are available.

The output transistors are biased using only resistors, rather than constant current sources. Extensive testing showed that using current sources made no discernible difference to performance, but increased the complexity and PCB size. Using separate caps for each biasing diode does make a difference though - and although it is relatively minor, the use of the two caps is justified IMHO.

The bias diodes should be 1N4148 or similar - power diodes are not recommended, as their forward voltage is too low. This may result in distortion around the crossover region, where one transistor turns off and the other on. As shown, crossover distortion is absolutely unmeasurable with the equipment I have available.

PrototypeFigure 1 - Headphone Amplifier Circuit Diagram

Above is the schematic of one channel. Resistors and caps use the suffix R for the right channel. The second half of the dual opamp powers the right channel. Note that the volume control shown is optional, and is not on the PCB. If needed, it may be mounted in a convenient location and the output connected to the inputs of the board as shown. D1 and D2 (L and R) are 1N4148 or similar.

One of the reasons the amp is so quiet is that the entire board runs from a regulated supply, so hum (in particular) is eliminated. Although an unregulated supply can be used, this is not recommended. The supply should be separate from that used for your preamp, because of the relatively high current drawn by the amplifier (at least with low impedance phones). A P05 preamp supply can be used, and will ensure optimum performance.

The prototype amplifier has flat frequency response from 10Hz to over 100kHz. Distortion is below my measurement threshold with any level or load impedance, and output impedance is almost immeasurably low. Your headphones may be designed to operate from a 120Ω source impedance (many are), so this may be added if it improves sound quality. Adding any series resistance will reduce the available power, but it is already far greater than you can use. Without series resistance, the minimum power into various load impedances is given below (based on ±15V supplies).

Continuous dB SPLMaximum Exposure Time
858 hours
884 hours
912 hours
941 hour
9730 minutes
10015 minutes
1037.5 minutes
106<4 minutes
109<2minutes
112~ 1 minute
115~ 30 seconds
ImpedancePower (Direct)120 Ohm Feed
8 Ohms1.5 W35 mW
32 Ohms2.2 W99 mW
65 Ohms1.1 W136 mW
120 Ohms595 mW149 mW
300 Ohms238 mW121 mW
600 Ohms119 mW82 mW
Table 2 - Output Power Vs. Impedance
This is not especially comprehensive, but will cover the majority of headphones in common use. In all cases, the available power is more than needed ... not so you can damage your hearing, but to allow adequate headroom for transients.

Construction

While it may be possible to build it using Veroboard or similar, there is a high risk that it will oscillate because of the very wide bandwidth of the amplifier. A capacitor may be added in parallel with R4 (L and R) to reduce the bandwidth if stability problems are encountered. Although I used an NE5532 opamp for the prototype, the circuit will also work with a TL072, but at reduced power. You may also substitute an OPA2134 or your favorite device, taking note of the following ...
opampThe standard pinout for a dual opamp is shown on the left. If the opamps are installed backwards, they will almost certainly fail, so be careful.

The suggested NE5532 opamp was used for the prototype, and performance is exemplary. Devices such as the TL072 will be quite satisfactory for most work, but if you prefer to use ultra low noise or wide bandwidth devices, that choice is yours.

Construction is fairly critical. Because of the wide bandwidth of the NE5532 and many other audio grade opamps, the amplifier may oscillate (the prototype initially had an oscillation at almost 500kHz), so care is needed to ensure there is adequate separation between inputs and outputs. Even a small capacitive coupling between the two may be enough to cause problems.

As shown in the photo, this amplifier needs a heatsink. While it can operate without one at low power using high impedance headphones, you need to plan for all possibilities (after all, you may purchase low impedance phones sometime in the future). The heatsink does not need to be massive, and the one shown above is fine for normal listening levels. An aluminium bracket may be used to attach to the chassis - I recommend 3mm material. Note that the heatsink should always be earthed (grounded).

The output transistors must be insulated from the heatsink. Sil-Pads™ are quite suitable because of the relatively low dissipation, but greased mica or Kapton can be used if you prefer. If you use the suggested 3mm aluminium, you can drill and tap threads into the heatsink, removing the need for nuts.

Testing

Connect to a suitable power supply - remember that the supply earth (ground) must be connected! When powering up for the first time, use 56 ohm "safety" resistors in series with each supply to limit the current in case you have made a mistake in the wiring. These will reduce the supply voltage considerably because of the bias current of the output transistors.

If the voltage at the amplifier supply pins is greater than ±6V and the output voltage is close to zero, then the amplifier is probably working fine. If you have an oscilloscope, check for oscillation at the outputs ... at all volume control settings. Do this without connecting your headphones - if the amp oscillates, it may damage them.

Once you are sure that all is well, you may remove the safety resistors and permanently wire the amplifier into your chassis.
source: http://sound.westhost.com/project113.htm
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Balanced Microphone Amplifier Diagram Circuit

We published a design for a stereo microphone preamplifier with balanced inputs and a phantom power supply. The heart of this circuit was a special Analog Devices IC, the SSM2017. Unfortunately, this IC has been discontinued. In its place, the company recommends using the pin-compatible AMP02 from its current product line. However, and again unfortunately, the specifications of this opamp make it considerably less suitable for use as a microphone amplifier. By contrast, Texas Instruments (in their Burr Brown product line) offer an integrated instrumentation amplifier (type 1NA217) that has better specifications for this purpose.


Incidentally, this IC is also recommended as a replacement for the SSM2017. It features internal current feedback, which ensures low distortion (THD + noise is 0.004 % at a gain of 100), low input-stage noise (1.3 nV/√Hz) and wide bandwidth (800 kHz at a gain of 100). The supply voltage range is ±4.5 V to ±18 V. The maximum current consumption of the 1NA217 is ±12 mA. The gain is determined by only one resistance, which is the resistance between pins 1 and 8 of the IC. The circuit shown here is a standard application circuit for this instrumentation amplifier. R1 and R2 provide a separate phantom supply for the microphone connected to the amplifier (this is primarily used with professional equipment).

Balanced
Balanced Microphone Amplifier Circuit Diagram

This supply can be enabled or disabled using S1. C1 and C2 prevent the phantom voltage from appearing at the inputs of the amplifier. If a phantom supply is not used, R1 and R2 can be omitted, and it is then better to use MKT types for C1 and C2. Diodes D1–D4 are included to protect the inputs of the 1NA217 against high input voltages (such as may occur when the phantom supply is switched on). R4 and R5 hold the bias voltage of the input stage at ground potential. The gain is made variable by including potentiometer P1 in series with R6. A special reverse log-taper audio potentiometer is recommended for P1 to allow the volume adjustment to follow a linear dB scale.

The input bias currents (12 µA maximum!) produce an offset voltage across the input resistors (R4 and R5). Depending on the gain, this can lead to a rather large offset voltage at the output (several volts). If you want to avoid using a decoupling capacitor at the output, an active offset compensation circuit provides a solution. In this circuit, a FET-input opamp with a low input offset (an OPA137) is used for this purpose. It acts as an integrator that provides reverse feedback to pin 5, so the DC output level is always held to 0 V. This opamp is not in the audio signal path, so it does not affect signal quality. Naturally, other types of low-offset opamps could also be used for this purpose. The current consumption of the circuit is primarily determined by the quiescent current of IC1, since the OPA137 consumes only 0.22 mA.
Author: T. Giesberts
Copyright: Elektor Electronics
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Saturday, October 18, 2014

Motor Bike Headlight Controller Circuit Diagram

This circuit automatically turns a motor cycles headlight on and off, independently of both the light and ignition switches, provided the battery is fully charged. The first stage uses the 22O resistor and ZD1 to hold transistor Q1 off while the motor is not running; it draws about 2mA. Once the battery voltage exceeds 7.0V during charging, Q1 begins to turn on.

The last stage uses the 22O resistor and ZD2 to turn on transistor Q2, which pulls the base of Q1 down, switching it hard on. In conjunction with the Vbe drop of Q2, ZD2 will turn off Q2 at a battery voltage of about 6.7V. In practice, this means that the headlight will be on most of the time while the motor is running and charging the battery. Heatsinks are required for both transistors. The circuit can be mounted adjacent to the battery with a single lead going to the headlight power feed.

Circuit diagram:
 motor bike headlight controller schematic circuit diagram
Motor Bike Headlight Controller Circuit Diagram
Parts:

P1 = 5R - 3W
R1 = 220R -1W
R2 = 1R - 1W
R3 = 22R - 5W
R4 = 22R - 5W
Q1 = BD139
Q2 = MJ4502
D1 = 6.2V - 1WZener
D2 = 6.2V - 1WZener
B1 = 6.6V - 7.2V
F1 = Fuse 15A
LP1 = DIP Beam 6V-25W Halogen
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Automatic Headlight Reminder circuit and explanation

Do you drive an older car without an automatic "lights-on" warning circuit? If so, youve probably accidentally left the lights on and flattened the battery on one or more occasions. This headlights reminder circuit will prevent that. Its more complicated than other circuits but its also more versatile. As shown, the circuit uses two low-cost ICs. IC1 is a 555 timer which is wired to operate in astable mode. Its output clocks IC2, a 4017B decade counter. IC2 in turn drives a row of indicator LEDs and also resets IC1 (after about 10s) via transistor Q2.

The circuit works like this:

when the ignition is on, transistor Q1 is also on and this pulls pin 4 of IC1 low. As a result, IC1 is held reset and no clock pulses are fed to IC2. Conversely, if the ignition is turned off, Q1 will turn off and so IC1 will start oscillating and sound the piezo siren. At the same time, IC1 will clock IC2 and so LEDs 1-10 will light in sequence and stop (after about 10s) with the last LED (LED10) remaining on. Thats because, when IC2s O9 output (ie, pin 11) goes high, Q2 also turns on and this pulls pin 4 of IC1 low, thus stopping the oscillator (and the siren).

Circuit diagram:
Automatic Headlight Reminder Circuit Diagram
Note:

That different colored LEDs are used to make the display look eye-catching but you make all LEDs the same color if you wish. Installing optional diode D1 will alter IC1s frequency and this will alter the display rate. Finally, if the lights are turned off and then back on again, the alarm will automatically retrigger. LED1 is always on if the lights are turned on. If you dont want the LED display, just leave the LEDs out.

Author: L. Marshall - Copyright: Silicon Chip Electronics
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Friday, October 17, 2014

Control Switch for Fan and Air Conditioner

An electronic switch that can be used to switch on both the air-conditioner as well as fan of your room, one by one. The circuit consists of power supply and control sections. The power supply section is built around transformer X1, bridge rectifier BR1 and filter capacitor C1. The 50Hz, 230V AC mains is stepped down by transformer X1 to deliver a secondary output of 9V, 300 mA. The transformer output is rectified by the bridge rectifier and filtered by capacitor C1.


When the mains is switched on for the first time, pin 3 of IC CD4017 (IC1) goes high and relay RL1 energies to switch on the fan. When mains is briefly switched off using S1 and then switched on, the power to IC1 is maintained by the charge on capacitor C1. At the same time, there is a trigger pulse on the clock input (pin 14) of IC1, which advances the decade counter and relay RL2 energies to switch-on the air-conditioner. Both the air-conditioner and the fan will be turned off if the switch is in the ‘off’ position.

Assemble the circuit on a general-purpose PCB and enclose in a suitable case. Fix the unit onto the switchboard. Use relays RL1 and RL2 with proper contact ratings. The current rating depends on the load that you are going to control. 
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Sunday, October 5, 2014

Solar IPod Charger Project and Schematic


Solar iPod Charger Schematic


The
The Solar Panel

To accomplish our iPod solar charger we acclimated a 250mA 6 Volt Solar Console (available in the REUK Shop). Alike in the brightest sunshine the voltage is not badly aloft that of the iPod battery, and the accepted is affluence abundant to allegation the array in a few hours in ablaze altitude (even in the UK!).

A blocking diode should be acclimated (in the absolute solar console lead) to anticipate the iPod array from boring clarification at night if it is still affiliated to the panel. Unforunately this after-effects in up to 0.7 Volts actuality absent as calefaction in the diode, so it can be larboard out if you adopt to accept a faster charger which will allegation the array in lower ablaze conditions.

Note that abounding solar panels are supplied with a branch adapted blocking diode.

In adjustment to adapt the voltage from our 6 Volt solar console we acclimated an LM317T dent (available from the REUK Shop) in the afterward cool simple circuit:


Voltage Regulator




...where R1 is a 270 Ohm resistor, and R2 is theresistor used to set the output voltage according to the following equation:

R2 = R1 * ( (VOUT/1.25) -1 )

Since our desired charging voltage is 5 Volts, we see that ideally R2 would be 270 * ((5/1.25) -1) = 810 Ohms. This is not a standard resistor size, however we had an 820 Ohm resistor which should result in an output voltage of 5.05 Volts.

Wiring up the aloft ambit on a prototyping breadboard with a 270 Ohm R1 resistor, and 820 Ohm R2 resistor we can affirm that the achievement voltage is 5.06 Volts - absolute for our iPod charger. It is capital to analysis that the achievement voltage is about 5 Volts application a acceptable multimeter afore attempting to allegation your iPod or the array and/or iPod itself could be damaged.


iPod Solar Charger Prototyping




Connecting the Charger to the iPod


The iPod is supplied with a USB cable. One end is acquainted into the iPod and the added end has a macho USB-A plug.

It can generally be cheaper to buy a cable with a adapted changeable USB-A adapter and cut it off to use in this project. Simply affix the red USB cable wire to the 5V absolute achievement from the LM317T, and the atramentous USB cable wire to the arena (negative).

According the blueprint beneath the 5 Volt achievement from the LM317T should be affiliated to pin 1, and the arena (negative) affiliated to pin 4.

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Morris Minor Wiring Diagram and Cable Color Code

The following schematic depicts the Morris Minor Wiring Diagram and Cable Color Code. This wiring diagram and electric circuit schematic apply for Morris Minor Series MM, Series II and Series 1000. (click image to enlarge)

Key to Wiring Diagram
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
Alternator – 11 AC
Charging Warning Light
Fuse Unit
Fuel Pump
Ignition and Starter Switch
Stop Lamp Switch
R.H. Stop Lamp
L.H. Stop Lamp
Ignition Coil
Distributor
Control Unit – 4TR
Interior Light and Switch
Courtesy Light Switch
Courtesy Light Switch
Instrument Voltage Stabilizer
Fuel Gauge
Fuel Tank Unit
Heater Switch
Heater
12-Volt Battery
Starter Solenoid Switch
Starter Motor
Horn
Horn-push
Oil Filter warning Light and Switch
Oil Pressure Warning Light 
R.H. Front Flasher
R.H. Rear Flasher
Lighting Switch
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
Main Beam Warning Light
R.H. Headlamp Main Beam
Line Fuse (10 Amp)
Panel Light Switch
Panel Light
Panel Light
Flasher Switch
L.H. Rear Flasher
L.H. Front Flasher
L.H. Headlamp Main Beam
R.H. Headlamp Dip Beam
L.H. Headlamp Dip Beam
Dipper Switch
Flasher Unit
Flasher Warning Light
L.H. Pilot Lamp
R.H. Pilot Lamp
R.H. Tail Lamp
L.H. Tail Lamp
Number-Plate Lamp
Number-Plate Lamp
Windscreen Wiper Switch and Motor
Snap Connectors
Terminal Blocks or Junction Box
Earth Connections Made via Cable
Earth Connections Made
Relay – 6RA
Warning Light Unit – 3AW
Ammeter
Wiring and Cable Color Code
B – Black
U – Blue
N – Brown
G – Green
P – Purple
R – Red
W – White
Y – Yellow
D – Dark
W – White
Y – Yellow
D – Dark
When a cable has two color code letters, the first denotes the main color and the second denotes the tracer color.
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Friday, October 3, 2014

Variable DC Power Supply LM317 circuit and explanation

This DC power supply circuit is adjustable using IC Voltage RegulatorLM317. LM317 is a versatile and highly efficient 1.2-37V voltageregulator that can provide up to 1.5A of current with a large heat sink. Its ideal for just about any application. This was my first workbench power supply and I still use it.


Since LM317 is protected against short-circuit, no fuse is necessary. Thanks to automatic thermal shutdown, it will turn off if heating excessively. All in all, a very powerful (and affordable!) package, indeed. Although voltage regulator LM317 is capable of delivering up to 37V, the DC power supply output circuit here is limited to 25V for the sake of safety and simplicity. Any higher output voltage would require additional components and a larger heat sink. Make sure that the input voltage is at least a couple of Volts higher than the desired output. Its ok to use a trimpot if youre building a fixed-voltage supply.

Problems: Follow all the safety precautions when working with mains voltage. Insulate all connections on the transformer. Possible uses: Variable workbench power supply, fixed-voltage supply. Just about any possible application when no more than 1.5A is necessaryhis BlogThis!Share to TwitterShare to FacebookShare to Google Buz
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Thursday, September 25, 2014

Simple Delay Timer Circuit How to Make and Calculate

There are many occasions when a switching delay is required. One way of achieving this is to use an RC network and an inverter (see figure 1).
This is quite practical and obvious as there are nearly always some gates Ieft over in a circuit. Unfortunately, every electronic component has a definite tolerance and so it is virtually impossible to determine the delay precisely in advance. However a considerable improvement can be achieved by connecting two inverter/ RC networks in series as shown in figure 3. The nominal threshold voltage of the inverter in figure ‘l is half the supply voltage and has a tolerance of 1 30%. Figure 2 shows the signal input to 1 the gate. lf this input is between UC 0.35 Ub and UC = 0.65 Ub the inverter may consider it either logic _ 0’ or ll These voltages occur when a capacitor is charged through a resistor after a period of 0.43 ·r and I l.05r respectively. (r is the time constant of the circuit and is equal to R x C). The nominal threshold voltage UC = 0.5 Ub is reached after a time of t = 0.69 r. lf the two inverters and RC networks of figure 3 are used, each RC net· work must produce the same delay, equal to half the total value of figure l.

The total delay will then be % x 0.43 1*+% x 1.05 *r= O.74 Tat its worst case! This is a lot closer to the nominal value of 0.69 1: The foregoing should make it clear why the circuit of figure 4 gives such consistently reproducible results. However, for really satisfactory operation, CMOS inverters must be used. The reason is that these gates have a threshold value of about half the supply voltage. Further, their output will always be either zero or the supply voltage. Schmitt triggers should not be used! If the delay times using 4000 series CMOS are found to be too long the new 74HCXX series can be used. These are pin and function compatible to the 74LSXX series and just as fast!




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Tuesday, September 23, 2014

General purpose power supply with LM723 and TIP31 circuit


This general purpose power supply can e used for supply output voltages from 1 to 35V. The line transformer should be selected to give about 1.4 times the desired output voltage from the positive side of filter capacitor C1 to ground. Potentiometer R2 sets the output voltage to the desired value by adjusting the reference input.

Rsc is the current limit set resistor. Its value is calculated as:
Rsc = 0.65V/IL
For example, if the maximum current output is to be 1A, Rsc = 0.65/1 = 0.65?
The 1k? resistor, Rs, is a light-loaded resistor designed to improve the no-load stability of the supply.

Read more source:

http://apowersupply.com/general-purpose-power-supply-37.html

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Sunday, September 21, 2014

Alarm Equipped Digital Clock LM5860 circuit and explanation

Alarm Equipped Digital Clock LM5860 circuit and explanation

The LM8560 is alarm equipped digital clock Integrated Circuit with built-in driver capable of directly driving LED display equipment. As Intehrated Circuit himself the VDD pin for the LM8560 is graded to withstand a voltage of 15V.

LM8560 digital clock circuit has many features like:
  • Single chip P-channel ED MOS LSI.
  • LED direct drive using time division (duplex configuration).
  • Wide operating power supply voltage range.
  • Built-in alarm function with 24-hour control.
  • Supports changeover between 12-hour AM/PM and 24-hour displays
  • Built-in battery backup CR oscillator.
  • Built-in automatic fast forward function for hour and minute settings.
  • Built-in sleep timer function (maximum intervals of 59 minutes or 1 hours and 59 minutes).
  • Built-in snooze function supporting repeat use.
  • Equipped with power failure display function.
  • 900Hz output for alarm tone .

Using LM8560 circuit you will have many advantages , because of integration in one package of all features you can use it in small clock alarm radio circuits or in a simple clock alarm circuit. For LM 8560 clock alarm circuit you can use a positive or negative power supply maximum 15 volts.
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Saturday, September 20, 2014

Telephone AmplifierLF351 and TBA820M

Amplifier description:
This circuit TDA820M Mini Amplifier 2W+2W. Supply Volt 12V, Easy to build and Low cost. If you want mini amplifier circuit , as a result do not be defeated certainly. The sound will a little 2W+2W just but enough with 6 sizes are inch 8ohm loudspeakers. as a result still have a voice good loud the moderately. Request friends have fun the circuit amplifies this miniature please yes.

Circuit diagram:



PCB layout:



In Mono style a few parts and very cheap!
TBA820 mini AUDIO AMPLIFIER 1.2W
Here is Circuit Mini power amplifier low watt (1.2W Only). IN circuit have IC TBA820,it old IC Audio amp.

 

If phone your light exceedingly ring. Invite come to this way. I thinks this circuit can help. It is Telephone Amplifier circuit. By have pillar equipment be IC LF351 perform enlarge telephone signal from pick up give the power goes up. Before transmit to IC TBA820M for amplify with a loudspeaker next sir. And VR1 perform fine the loud sound or the silent is extremely fond of something. See circuit detail enhances in a picture.



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Simple UHF Video Transmitter circuit and explanation


Heres video transmitter circuit is working on the UHF channel frequency 470-580 MHz channel 21-34. This video transmitter can radiate as far as 30-100 meters by using a cable 10-20 cm. If you have a plan to amplify this video transmitters signal, please make a good bandpass filter.


This video transmitter requires supplies voltage of 9-15 volt. However, you can also use a 9v batteries. Better result on low signal noise, use switching power supply.


This is an important thing to remember for building of the video transmitter circuit is that the dimensions of coil size to match the frequency of the desired work. The value of the spindle is making coil as follows:
L1, L2 = 3 Turns, diam. 3mm, 0.5mm wire
L3 = 2 Turns, diam. 3 mm, 0.5 mm wire
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Friday, September 12, 2014

Sub Woofer and Controller Wiring diagram Schematic

Sub woofers are popular, with home theater being of the driving forces. However, a nice sub adds considerably to normal hi-fi program material, & so if it is predictable & has nice response characteristics.

 all of sub woofers use a immense speaker driver in a immense box, with tuning vents & all the difficulties (& vagaries) that conventional operation entails. By conventional, I mean that the speaker & cabinet are operated as a resonant technique, using the Thistle-Small parameters to get a box which will (if everything works as it ought to) provide excellent performance.

Completed


Completed Prototype

A fast word is warranted here, to let you decide if the speaker you have will actually work in a little sealed enclosure. The EAS principle will permit any driver to extend to twenty Hz or even lower. A lovely fast check is to stick the speaker in a box, and drive it to 100W or so at twenty Hz - you ought to see lots of cone movement, a few things will rattle, but you should not actually listen to a tone. A "bad" speaker will generate 60 Hz (third harmonic) - in the event you dont listen to anything, the speaker will work in an equalized sub.

If a tone is audible, or the speaker shows any signs of distress (such as the cone breaking up with appropriate terrible noises), then the driver cannot be used in this manner. Either discover a different driver, or use a vented enclosure.

Before you can build your own EAS box, you will require to pick an appropriate driver, using the above as a guide. Cone tour will be high at the lowest frequencies, so the speaker needs to be able to high power, lovely tour, & of reasonable size (there is no substitute for cone area for moving air at low frequencies). I am using a 380mm (15") driver, but smaller drivers (say 300mm - 12") can be used, or even a bigger number of smaller drivers. I have also had excellent results with a single 300mm driver, which has lower sensitivity (as would expect) but is perfectly adequate for normal usage.


The check methods I used are applicable to any combination, but in general I recommend either a single giant driver or a pair of (say) 300mm units. The next hurdle is the amplifier needed to drive the speaker. This is not trivial. If the selected driver has a sensitivity of 93dB / W @ one metre, then you can safely assume that the efficiency will be less than this below resonance, by a factor of possibly 6dB or more. In case you are used to driving a sub with 100W, this means that you have increased the power to 400W - although this is an over-simplification.

If they are to operate the sub from 60Hz (my aim from the outset), they will increase the power by 12dB for each octave, so if 20W is necessary at 60Hz, then at 30Hz this has increased to 320W, & at 15Hz, you will require over 5kW.

Fortunately, the reality is a tiny different, & 400W or so will be over sufficient for a powerful process, due chiefly to the fact that the energy content in the low bass region is not normally all that great. (Although some program material may have high energy content, in general this is not the case). The EAS process augments the existing process, which is allowed to roll off naturally - contrast this with the normal case, where a crossover is used to separate the low bass from the main process, so existing speaker capability is lost.

The box I built is made from 25mm (1") MDF (Medium Density Fiberboard), & filled with fiberglass. Apart from the fact that it is very heavy (which is a lovely thing, because it desires to walk with low frequencies), the cabinet is acoustically dead, with no resonances in the low frequencies at all ( unlike my house & furniture, dammit !). The woofer is recessed in to the baffle, & sealed with weather sealing foam. When attaching the speaker, do NOT use wood screws, or any other screw in to the MDF. I used "Tee" nuts. I have no idea what they are called elsewhere in the world, but they look like this

TEE NUT

The middle is tapped, and accepts a metal thread screw, and the small spikes mean that you must drill a hole, and hammer in the Tee nut. In case you use a screw through the hole and screwed lightly in to the Tee nut, you can hold it in place as you bash away at it, and can also see that it is straight when you are done. make sure that the finish of the screw doesnt stick out the finish, or you will seldom remove it again after the hammering! I recommend that you lock the tee nut in to place with some construction adhesive (dont get any in the threaded section) so they dont fall out while you are installing the speaker.

The EAS Controller
The controller is (actually very) simple, & the schema is shown in Figure one. An input buffer ensures that the input impedance of the source does not affect the integrator performance, & allows summing of left & right channels without any crosstalk. The output provides a phase reversal switch, so that the sub can be properly phased to the remainder of the process. If the mid-bass disappears as you advance the level control, then the phase is wrong, so switch to the opposite position.

Figure 1 - The Original EAS Filter / Controller

It turns out that the controller can be simplified, but there is no point. While the dual pot appeared like a lovely suggestion when I built my unit, it actually only changes the gain. Now, having experimented some more, this is an excellent thing, since it means that the level through the controller can be set to make positive that there is no distortion - there can be a immense amount of gain at low frequencies, & if the gain is high, distortion is assured!

The integrators (U1B & U2A) include shelving resistors (R6 & R9), & the capacitor / resistor networks (C1-R4, C3-R7) be positive that signals below 20Hz are attenuated. In case you dont require to go that low, then the worth of the caps (or the resistors R4 & R7) can be reduced. I used four.7uF caps, & these are non-polarized electrolytic - a high value was needed to keep the impedance low to the integrators. I originally included the dual pot (VR1) to permit the upper frequency roll off to be set - however it does no such thing (as described above). The final output level is set with VR2, which may be left out if your power amp has a level control.

It is OK to substitute different op amps, but there is tiny reason to do so. Any substitution tool ought to be a FET input op amp, or DC offset may be an issue. Do not be tempted to make use of a DC coupled amp. If the you are planning to make use of is DC coupled, the input ought to be isolated with a capacitor. Pick a value to give a -3dB frequency of about 10Hz, as this will have tiny effect on the low frequency response, but will help to attenuate the subsonic frequencies.

The unity gain range (using a 20k pot as shown) is from 53Hz to 159Hz. This ought to be sufficient for most systems, but if desired, the resistors (R5 & R8) can be increased in value to 22k, or you can select a bigger value pot. Using 22k resistors & the 20k pot will give a range from 36Hz to 72Hz.

To permit lower frequencies, you can increase the 100k shelving resistors (R6 and R9) to 220k, and increase the high pass capacitors (four.7uF) with 10uF (or R4 & R7 may be increased - a maximum of four.7k is recommended). This will give a turnover frequency of around 8Hz, but expect to make use of much more power, as there will likely be significant sub-sonic energy that will generate huge cone excursions with no audible benefit.

The input must be a standard full range (or for a stampeded method, the whole low frequency signal). Do not use a crossover or other filter before the EAS controller. For final modification, and to integrate the method in to your listening room, I recommend the constant-Q equalizer. The final result using this is extraordinarily nice - I have flat in-room response to 20Hz!

For the power supply, use the in anything else will provide +/-15V at a few Milli amps. My supply is not even regulated, & the whole method is as close to noiseless as you will listen to (or not listen to). Construction is not critical - I built mine on a piece of Overboard (perforated prototype board), & managed to fit everything (including the power supply rectifier & filter) on a piece about 100 x 40 millimeters with room to spare.

The EAS method is surprisingly simple to set up with no instrumentation. Of coursework in case you have an SPL meter & oscillator you can also confirm the settings with measurements. Keep in mind that the room acoustics will play havoc with the results, so unless you require to drag the whole method outside, setting by ear might be the simplest. Even in case you did get it exactly right in an anechoic surroundings, this would alter one time it was in your listening room anyway.

It takes a small experimentation to get right, but is surprisingly simple to do. When properly set, a check track (or bass guitar) ought to be smooth from the highest bass note to the lowest, with no gross peaks or dips. Some are inevitable because of room resonances & the like, but you will discover a setting that sounds "right" with small difficulty.

Performance Of My Prototype
I measured 80dB SPL at one meter in my workshop (sub-woofer perched on a chair in more or less the middle of the space) with at 25Hz & 70W. This improved dramatically when the unit was installed in the listening room, but as I said earlier, there is usually not a lot recorded below around 35Hz. The longest pipe on the organ is usually about 16Hz, but larger pipes still may be used. It was found necessary to cease group of diapasons (able to 8Hz) in the famous Sydney Town Hall organ because when they were used, the very low frequency caused building destroy.

A couple of orchestral recordings revealed traffic (or perhaps underground railway) rumble that I was unaware of before (however this was before it was set correctly, and the bass was a tad louder than needed). One time set up properly, its presence is unobtrusive - except I now have about and a half octaves of additional bottom finish.

I finally decided on a 20Hz maximum frequency (-3dB), and this is reflected in the part values shown in Figure one. The actual roll-over frequency is 16.5Hz, after which the output is attenuated at about 12dB / octave (see Figure two). Without the roll off capacitors, the gain would be 20dB at 20Hz. Unity gain frequencies are about 4Hz and 63Hz with the 20k pot(s) centered.

Figure 2 - Frequency Response of EAS Controller

awesome Australian readers may recognize the woofer brand in the picture (Figure three) of my done unit. The compact size of the box can be seen from the fact that there is tiny spacing around the speaker itself, and most of what is there is the top and sides - I used 25mm MDF, so it makes the outside of the box a bit bigger than the inside. Outside dimensions are 470W x 450H x 410D (18 1/2"W x 17 1/2"H x 16"D), which gives a capacity of 60 liters (about two.1 ft³ - excluding the internal space occupied by the speaker. I think you would agree that this is a small box indeed for a 380mm loudspeaker that performs down to 15Hz.

Figure 3 - Photo of Completed EAS Cabinet


Overall, I would must say that I doubt that any conventional design would be as compact, or would have such clarity & solidarity. Being a sealed box, there is not of the "waffle" that ported designs often give, & the speaker is protected against excessive tour by the air pressure in the box itself (below the cutoff frequency, anyway).

The bottom finish in my technique is now staggering. It is rock solid, & absolutely thunders when called on. The 400W amp is over sufficient for the job, thinking about its to keep up with a biamped main technique able to high SPL (up to 120dB at my listening position). In fact a fast check indicates that 200W would have been (but . better to have it & not require it than require it & not have it).

The fact that the EAS design augments the existing speakers than taking over from them with a crossover goes a long way towards ensuring the power requirements do not get out of hand. As an added benefit, I have found that I get the same aural sensation at much lower SPLs - I can listen happily at 90dB, but it sounds much louder. I may even listen to the phone ring while listening now !
All in all, I feel it is unlikely that anything other than an isobaric enclosure could give the same performance for a box size even close to the EAS box,& even then would be limited to about 35Hz. Added to this is the unpredictable combined response of the main speakers and the sub, which is not an Problem with this design. With an EAS system, more power is necessary than a standard design, but for plenty of people, power is less costly than space.
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Wednesday, September 3, 2014

DELL E1909WDD 19 LCD Color Monitor SMPS and Back light Inverter Troubleshooting

Dell E1909WDD - 19" LCD Color Monitor Power Supply and Backlight Inverter – Troubleshooting & Schematics 
[CLICK ON THE PICTURES TO MAGNIFY]
POWER SUPPLY (SMPS) SCHEMATIC 
NO POWER - TROUBLESHOOTING

BACK-LIGHT INVERTER SCHEMATIC
NO BACK-LIGHT _ TROUBLESHOOTING
PWB

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Monday, August 25, 2014

The Air iPad 2 and the new iPad Mini Reader

 The

According to the latest rumors, Apple is integrating fingerprint reader, Touch ID, in its different versions of iPad this year. This is not a big rumor as it is quite logical that the company is planning to expand the devices with this feature, allowing users more security on their devices.

Now, a photo revealed as the iPad could see Air 2 (second generation iPad Air) and the new iPad Mini with Retina Display, with the Touch sensor ID.

Additionally able to know a little Air iPad 2 and the new iPad Mini, the picture also show an iPhone over them two, possibly iPhone 6, but few extra details that can be perceived in this cell phone, as in Apples new tablet.

According to rumors, the iPad Air 2 would have some design changes, but it is not known whether these changes would also be coming to the third generation of the iPad Mini.

However, no more details are known about, so take into consideration the picture but did not have your own doubts, as it is actually impossible to know if these would be the new Apple devices.
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Tuesday, August 12, 2014

Ultra voltmeter and Voltage sensing Wiring diagram Schematic

This is a schema that detects tesões 1.8 V up to 230 Volts AC or DC. This schema is not a novelty, but it proved so useful, simple and cheap that every technician should have one on the bench.

When the tip (red) positive is connected to a positive DC voltage and the black lead to the negative, the red LED lights up. Reversing the polarity green LED lights.

Connecting the probes to an AC source both LEDs will light. The lamp current is limited to 40mA @ 220V AC LED for illuminating and a filament starts from about 30V, shining more intensely with increasing tension.
Therefore, due to the behavior of the lamp filament, any voltage in the range from 1.8 to 230 V can be detected without changing component values​​.
 
Ultra voltmeter and Voltage sensing Circuit Diagram
 
Ultra voltmeter and Voltage sensing Circuit Diagram


List of Components

D1________5 or 3mm. red LED
D2________5 or 3mm. Green or yellow LED
LP1_______220V 6W lamp filament
P1________ Tip multimeter red
P2________ Probe Multimeter Black
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Sunday, August 10, 2014

Antialiasing And Sync Compensation Filter Wiring diagram Schematic

Antialiasing And Sync-Compensation Filter Circuit Diagram. Two dual-bi-quad filter chips and some external components form a multipurpose filter to reconstruct D/A converter signals. Connected to a converter`s output, the filter provides anti-aliasing, reduces the D/A converter`s quantization noise, and compensates for sin(7rx)()—the `sync` function (attenuation). The schema incorporates an inverse-sync function that operates to one-third of the converter`s sample rate. Beyond one-third, the filter`s response shifts to a stop band filter, which provides -70 dB attenuation. 

This attenuation conforms to the converter`s inherent signal-to-noise ratio and quantization error. To prevent aliasing, the stop band edge must be no higher than the Nyquist frequency (/„ + 2). To achieve 70-dB stop band rejection with this eighth-order filter requires a transition ratio (/stop band -K/pass band) of 1.5, which sets the passband`s upper limit at fs +3. Notice also that you can apply a simple divide-by-64 schema to the 192-kHz clock frequency to set the necessary 3 ratio between the converter`s sample rate and the filter`s 1-kHz corner frequency. 

Antialiasing And Sync-Compensation Filter  Circuit Diagram

Antialiasing And Sync-Compensation Filter  Circuit Diagram
 
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